A Carl Sagan, John Power and Morricone brain connection meets in Chernobyl base, resulting this surrealistic treasury of sounds sustained likes drone music.
This music was used in at least two British films : A Field in England (Ben Wheatley) and Censor (Prano Bailey-Bond). Michael Smiley is also in both films !
I am confused how nobody has noted this is the same music VUE uses for its upcoming specialist media promo that appears before their films.Was especially jarring after watching Censor in a VUE